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Olhar caleidoscópico: a experiência do cinema como prática pedagógica
| Content Provider | Semantic Scholar |
|---|---|
| Author | Persegueiro, Kelcilene Gisela |
| Copyright Year | 2017 |
| Abstract | KALEIDOSCOPE LOOK: THE EXPERIENCE OF CINEMA AS A PEDAGOGICAL PRACTICE The present work consists of researching in a Municipal School of Piracicaba-SP, in which the researcher acted, as a substitute teacher, of the 1st YEAR, in a classroom with 22 children, aged 6 And 7 years of Elementary SchoolCycle 1. This research presents seven short film workshops that aims to work with children in cartoon films, based on and inspired by the episodes of the Pica Pau Amarelo site in Monteiro Lobato, with the aim of think of the following research questions: 1. What pedagogical practices can be promoted from the cinema in the school with elementary school children, cycle I? 2. Is the experience of cinema in school capable of constructing an education as an educational practice of the libertarian (freedom under construction) from the thought of Paulo Freire ? 3. What productions of knowledge on the part of the students, from the cinema, attest to the practice of freedom and autonomy? These problems have triggered our goals, which are: a. Understand what kind of pedagogical practices can be built from the experience of cinema and how they can promote / create / affect / transmit / transform students and stimulate the production of knowledge; B. Check how the relationship of children with films leads to a learning that allows a world reading in which children's previous experiences add to the experience of the cinema. We believe that cinema within schools offers opportunities for learning, otherness and art, so we held the film workshops to promote new possibilities and identified the peculiarities in the way children received the experience of cinema and what provoked / captivated Children after each workshop. As cinema is something essential in the construction of pedagogical practices, cinema is highlighted as a way of playing, emphasized by Fresquet (2013) and the identification of otherness, through the perspective of Alain Bergala (2008). In order to complement the understanding of the pedagogical practices from the cinema as an experiment without a straitjacket, we used the progressive tendencies, which had more than fifteen pedagogical practices based on dialogue by Paulo Freire ( 1977). The methodology used is action research, with film workshops, followed by free-form conversations (in speech and thoughts) and without a script with children, inspired by Freinet (1973). In the analysis of the data, we highlight the cinema in the school that allows a multiplicity of ways of being understood, named cinema as kaleidoscope. The cinema began to be discussed by categories from the data analysis, we used the inferences highlighted by Bardin (1979). It is worth emphasizing the importance of the relationship that they built with the cinema in the school. In the same way, the relations and identifications with the characters of the drawings point to the constitution of a culture of the cinema, being able to think the own Pedagogy of the Cinema, to think about education in the country. |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | https://repositorio.unesp.br/bitstream/handle/11449/151874/persegueiro_kg_me_rcla.pdf?isAllowed=y&sequence=3 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
