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La impronta del showrunner en las series de ficción televisiva: El caso de Jenji Kohan
| Content Provider | Semantic Scholar |
|---|---|
| Author | Ruiz, María José Higueras Pérez, Francisco Javier Gómez |
| Copyright Year | 2017 |
| Abstract | The main purpose of this article is taking a look into the personal producer´s style of Jenji Kohan as showrunner of the North American television industry. To support this aim, the paper examines the Jenji Kohan´s career, and her last audiovisual works – Weeds (2005-2012) and Orange Is The New Black (2013- )– thanks to the analysis of context production, and narrative, aesthetic and thematic aspects. Finally, we discuss the findings obtained in order to elucidate the common labels which constitute the showrunner´s creative hallmark and reveal her creative responsibilities. |
| Starting Page | 219 |
| Ending Page | 236 |
| Page Count | 18 |
| File Format | PDF HTM / HTML |
| DOI | 10.1387/zer.17822 |
| Volume Number | 22 |
| Alternate Webpage(s) | http://www.ehu.eus/ojs/index.php/Zer/article/download/17822/16858 |
| Alternate Webpage(s) | https://doi.org/10.1387/zer.17822 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
