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Sacralización, ritualización y espectáculo en torno al pasado: El Museo de la Memoria y los Derechos Humanos en Chile
| Content Provider | Semantic Scholar |
|---|---|
| Author | Olmo, Sara Sánchez Del |
| Copyright Year | 2016 |
| Abstract | The aim of this paper is to develop a critical reflection on the process of public recording of the (traumatic) memory in Latin America. From a specific case, the Museo de la Memoria y los Derechos Humanos in Chile; We intend to explore the sacralization processes made within this institution and analyze the role of the Museum in legitimizing a narrative. Our goal is to show how any institutional materialization process of remembrance involves not only the choice of a story but, above all, the attempt to give official recognition to an (imagined) speech about the past. The result is a space for the celebration of the cult of memory, a place full of ritualized practices that expel from the institution everything that defies the enshrined order, and everything that promotes skepticism. |
| Starting Page | 193 |
| Ending Page | 216 |
| Page Count | 24 |
| File Format | PDF HTM / HTML |
| DOI | 10.18273/revanua.v21n2-2016008 |
| Alternate Webpage(s) | http://www.scielo.org.co/pdf/rahrf/v21n2/v21n2a09.pdf |
| Alternate Webpage(s) | https://doi.org/10.18273/revanua.v21n2-2016008 |
| Volume Number | 21 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
