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Pintura, fotografia e a crítica de arte na pós-modernidade
| Content Provider | Semantic Scholar |
|---|---|
| Author | Fabris, Marcos |
| Copyright Year | 2013 |
| Abstract | This article intends to present and discuss some of the most typical characteristics of images produced in what is conventionally described as “post-modernism”, attempting to establish some relations between the material constraints for their production, the historic basis on which they find themselves and the evaluation made by an influential part of the critic. |
| Starting Page | 143 |
| Ending Page | 156 |
| Page Count | 14 |
| File Format | PDF HTM / HTML |
| DOI | 10.19177/rcc.v8e12013143-156 |
| Alternate Webpage(s) | http://linguagem.unisul.br/paginas/ensino/pos/linguagem/critica-cultural/0801/080109.pdf |
| Alternate Webpage(s) | https://doi.org/10.19177/rcc.v8e12013143-156 |
| Volume Number | 8 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |