Loading...
Please wait, while we are loading the content...
Similar Documents
Théâtre et philosophie chez Gilles Deleuze. La notion de dramatisation
| Content Provider | Semantic Scholar |
|---|---|
| Author | Jude, Ismaël |
| Copyright Year | 2012 |
| Abstract | The notion of “dramatisation” was formulated by Gilles Deleuze in his 1967 text Difference and Repetition, only later to be abandoned. This piece of research sets out to clarify the meaning of this concept by distinguishing its “dramatic” acceptance from its “scenic” one. Since Deleuze never explicitly expressed his theory of the stage this thesis project intends to determine from Deleuze’s texts, as well as from the authors to whom he himself referred, the hypothesis at work within the philosopher’s definition of this term. The statement of this hypothesis takes place in a problematic conceptual environment, as described in the works of Denis Guenoun and Esa Kirkkopelto. The notion of “dramatisation” derives its meaning through a critique of a particular understanding of “representation” within which Plato, Aristotle, Kant and Hegel are held captive, as well as through a certain construal of Kierkegaard and Nietzsche’s concept of repetition. Interpretations of Plato’s method of dichotomous division, Kant’s transcendental method and Nietzsche’s eternal return contribute in this thesis to articulating the way in which drama, the stage and repetition combine. |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | http://lettres.sorbonne-universite.fr/IMG/article_PDF/article_a17112.pdf |
| Alternate Webpage(s) | http://lettres.sorbonne-universite.fr/IMG/pdf/jude_ismael_2012_position_de_these.pdf |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
