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La iconografía musical de los Beatos de los siglos X y XI y su procedencia
| Content Provider | Semantic Scholar |
|---|---|
| Author | Martínez, María Rosario |
| Copyright Year | 2015 |
| Abstract | Las diversas influencias iconograficas que presentan las miniaturas de los Beatos son uno de los temas mas debatidos por los historiadores del arte. Pretendemos tan solo iluminar el problema a traves del analisis de la iconografia musical de doce codices. Esta es de gran interes para el musicologo, ya que recoge escenas de la vida musical profana, que por primera vez aparecen en temas apocalipticos, en las que se introducen instrumentos musicales de origenes diferentes (islamicos, coptos, bizantinos del area georgiana-caucasica y europeos) y de epocas tambien diferentes (de la Antiguedad tardia y de la alta y plena Edad Media). El estudio de este conjunto organologico nos demuestra que las fuentes utilizadas por los miniaturistas han sido diversas y, que solo en pocos ejemplos se puede hablar de una copia directa del objeto representado. Nuestro analisis se ha basado tanto en fuentes iconograficas como en las que nos proporciona la etnomusicologia. English The diversity of iconographical influences appearing in the Beatos miniatures is one of the most debated topics in the history of art. Our aim in this paper is to shed light on the problem through an analysis of the musical iconography of twelve codices. This iconography is of the utmost interest for the musicologist because it shows scenes related to the music of secular life, being present for the first time in apocalyptical topics. These scenes introduce musical instruments from different origins (lslamic, Coptic, Byzantine, European and from the Georgian and Caucasic area) as well as from different periods (from late Antiquity and also from the early and full Middle Ages). The study of this organological group proves that the sources used by the miniaturists were diverse and that only a few examples exist which can be described as being a direct copy of the represented object. Our analysis has been based not only on the iconographical sources but also on those supplied by ethnomusicology. |
| Starting Page | 201 |
| Ending Page | 218 |
| Page Count | 18 |
| File Format | PDF HTM / HTML |
| Volume Number | 5 |
| Alternate Webpage(s) | https://revistas.uam.es/anuario/article/download/2579/2736 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
