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El grupo Convivio en Número y la definición de un programa estético-artístico del catolicismo argentino (1930-1931)
| Content Provider | Semantic Scholar |
|---|---|
| Author | Amieva, Alejandra Niño |
| Copyright Year | 2015 |
| Abstract | espanolLas relaciones entre nacionalismo catolico, cultura y poder politico han sido objeto, en las ultimas decadas, de intensos debates en Argentina. Parte importante de la bibliografia especializada ha coincidido en senalar, a partir de la decada del treinta, el creciente compromiso de la Iglesia catolica y los nacionalistas con la vida politica del pais como tambien su protagonismo en ella. Si bien en el horizonte de tales estudios, la configuracion de elites intelectuales ha sido indagada a partir de los Cursos de Cultura Catolica y de la publicacion Criterio, el abordaje del grupo de artistas conformado en torno al Convivio ha sido escaso, no obstante la persistente mencion de algunos de sus integrantes. Menor aun ha sido el interes en la delimitacion, definicion o actualizacion interpretativa de su estetica. El objetivo en este trabajo es contribuir a la reconstruccion de las practicas esteticoartisticas iniciales de esta agrupacion ―activa entre 1927 y 1947― integrada por artistas plasticos, poetas, arquitectos, filosofos e historiadores. En tal sentido, a partir del abordaje semiotico de imagenes y escritos de Numero, publicacion mensual en la que colaboraron algunos participantes del Convivio, se indaga su rol como espacio de delineacion inicial de un programa estetico-artistico emprendido por el catolicismo argentino. Como primeras conclusiones, se argumenta sobre la focalizacion, en este programa, en un cuerpo de pasiones principalmente politicas, puestas en juego en la dialectica entre procesos de cambios radicales de la cultura y procesos de reaccion, bajo el hipersigno de la modernizacion, recuperacion del «ser nacional» e identidad asociada al catolicismo hispano. EnglishThe relations between catholic nationalism, culture and political power have been the subject of intense debate in Argentina in the last decades. From the thirties, an important part of the specialized literature has coincided in pointing out the increasing commitment of the Catholic Church and the nationalists to the political life of the country as well as their role in it. Although in the line of such studies, the development of intellectual elites has been examined from the Catholic Culture Courses and the publication of Criterio, the approach to the group of artists formed around Convivio has been visibly lower despite the persistent recognition of some of its members. Even less has been the interest in the interpretative delimitation, definition and actualization of its aesthetics. The objective of this paper is to contribute to the reconstruction of the initial aesthetic artistic practices of this group ―active between 1927 and 1947― composed by artists, poets, architects, philosophers and historians. To that effect, from the semiotic approach to images and writings in Number, a monthly publication in which some participants of Convivio collaborated, it is explored its role as a space for initial delineation of an aesthetic artistic program undertaken by the argentine catholicism. The preliminary conclusions focus, in this program, on a body of primarily political passions at play in the dialectic between processes of radical change of culture and reaction processes under the hypersign of modernization, the recovery of «the national being» and identity associated to hispanic catholicism. |
| Starting Page | 69 |
| Ending Page | 108 |
| Page Count | 40 |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | http://www.adversus.org/indice/nro-28/articulos/XII2804.pdf |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
