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Revisitando el teatro de César Vallejo: La piedra cansada y la reorganización de los procesos productivos
| Content Provider | Semantic Scholar |
|---|---|
| Author | Bosshard, Marco Thomas |
| Copyright Year | 2012 |
| Abstract | This article invites to revisit Cesar Vallejo’s play La piedra cansada, situating it in the context of avant-garde and indigenist discourse of the 1930s and interpreting it from the author’s own Marxist point of view. Given that the material base determines the ideological and aesthetic superstructure, the economic reorganization of production processes represented by the play reflects the reorganization (or re-humanization) of American “nueva poesia” that modifies Ortega y Gasset’s paradigm of de-humanized modern arts and leads to a process of vernacularization of aesthetic discourses. |
| Starting Page | 1 |
| Ending Page | 9 |
| Page Count | 9 |
| File Format | PDF HTM / HTML |
| DOI | 10.30827/rl.v0i9.3703 |
| Alternate Webpage(s) | http://revistaseug.ugr.es/index.php/letral/article/download/3703/3684 |
| Alternate Webpage(s) | https://doi.org/10.30827/rl.v0i9.3703 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
