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El tablao flamenco en Buenos Aires de principios de siglo XX como espacio de apertura cultural del gitano Calé
| Content Provider | Semantic Scholar |
|---|---|
| Author | Noacco, Gabriel |
| Copyright Year | 2010 |
| Abstract | It is well known that the Rom was a nomad people that moved from town to town around Europe. In the frame of a history of persecutions based in the discrimination towards this unknown culture, the Cale gypsy opened the doors of his/her culture in the mid Nineteenth Century with the establishment of the first flamenco tablaos in Andalusia; which had their first great migratory arrival in Buenos Aires city by the end of the Nineteenth Century. Little is known about their arrival in Argentina, and since it is a culture of oral tradition the recollection of documentation that grounds this arrival is extremely difficult. The aim of this research is to present a revision of the fundamental bibliography published about flamenco and in this case about the Cale gypsy culture, particularly regarding the shaping of their identity and the setting-up of the tablaos as a way of approach to the conformation of a space of cultural aperture in Buenos Aires at the beginning of the century. Complementarily, this research will analyze the possible theoretical perspectives for the ethno-musicological study of the gypsy culture in Buenos Aires city at the end of the Nineteenth Century and beginning of the Twentieth, which could account for its interrelations or its encounter with the Buenos Aires society as a way of survival and social protection through a negotiation of the identity. |
| Starting Page | 10 |
| Ending Page | 10 |
| Page Count | 1 |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | http://www.adversus.org/indice/nro16-17/articulos/11VIVII-1617.pdf |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
