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Proxemia y espacio dramático en el teatro pastoril del primer Lope de Vega
| Content Provider | Semantic Scholar |
|---|---|
| Author | Raposo, Francisco Sáez |
| Copyright Year | 2016 |
| Abstract | In this paper I analyze the way in which Lope de Vega uses proxemics when (re)creating the dramatic space where he locates the different plots of his early pastoral dramas. The way actors use distances onstage, combined with gestures and sound (sometimes real, others times referred) evokes in the audience’s imagination a place that sounds familiar to them, maybe only conceptually, as we are dealing with a totally codified genre. Other than that, the playwright seems to combine these multisensorial effects with the use of pictorial techniques, prominently employed in landscape painting, in order to create a sense of spatial depth and stage perspective to seduce the mind of the audience. Even though I pay special attention to the use of all these resources when (re)creating rustic and natural locations, essential in these plays, civilian and village locations are also mentioned, even though they are incidental in the plots of the plays analyzed. |
| Starting Page | 409 |
| Ending Page | 431 |
| Page Count | 23 |
| File Format | PDF HTM / HTML |
| DOI | 10.5565/rev/anuariolopedevega.152 |
| Volume Number | 22 |
| Alternate Webpage(s) | https://revistes.uab.cat/ojs-anuariolopedevega/anuariolopedevega/article/download/v22-saez-raposo/152-pdf-es |
| Alternate Webpage(s) | https://doi.org/10.5565/rev%2Fanuariolopedevega.152 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
