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  1. European Journal for Philosophy of Science
  2. European Journal for Philosophy of Science : Volume 6
  3. European Journal for Philosophy of Science : Volume 6, Issue 1, January 2016
  4. Musical pluralism and the science of music
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European Journal for Philosophy of Science : Volume 7
European Journal for Philosophy of Science : Volume 6
European Journal for Philosophy of Science : Volume 6, Issue 3, October 2016
European Journal for Philosophy of Science : Volume 6, Issue 2, May 2016
European Journal for Philosophy of Science : Volume 6, Issue 1, January 2016
Confirmation, increase in probability, and partial discrimination: A reply to Zalabardo
Musical pluralism and the science of music
Derivational robustness, credible substitute systems and mathematical economic models: the case of stability analysis in Walrasian general equilibrium theory
Backwards explanation and unification
Varieties of misrepresentation and homomorphism
Emergence and interacting hierarchies in shock physics
Laws are conditionals
Choice models and realistic ontologies: three challenges to neuro-psychological modellers
European Journal for Philosophy of Science : Volume 5
European Journal for Philosophy of Science : Volume 4
European Journal for Philosophy of Science : Volume 3
European Journal for Philosophy of Science : Volume 2
European Journal for Philosophy of Science : Volume 1

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Musical pluralism and the science of music

Content Provider Springer Nature Link
Author Currie, Adrian Killin, Anton
Copyright Year 2015
Abstract The scientific investigation of music requires contributions from a diverse array of disciplines (e.g. anthropology, musicology, neuroscience, psychology, music theory, music therapy, sociology, computer science, evolutionary biology, archaeology, acoustics and philosophy). Given the diverse methodologies, interests and research targets of the disciplines involved, we argue that there is a plurality of legitimate research questions about music, necessitating a focus on integration. In light of this we recommend a pluralistic conception of music—that there is no unitary definition divorced from some discipline, research question or context. This has important implications for how the scientific study of music ought to proceed: we show that some definitions are complementary, that is, they reflect different research interests and ought to be retained and, where possible, integrated, while others are antagonistic, they represent real empirical disagreement about music’s nature and how to account for it. We illustrate this in discussion of two related issues: questions about the evolutionary function (if any) of music, and questions of the innateness (or otherwise) of music. These debates have been, in light of pluralism, misconceived. We suggest that, in both cases, scientists ought to proceed by constructing integrated models which take into account the dynamic interaction between different aspects of music.
Starting Page 9
Ending Page 30
Page Count 22
File Format PDF
ISSN 18794912
Journal European Journal for Philosophy of Science
Volume Number 6
Issue Number 1
e-ISSN 18794920
Language English
Publisher Springer Netherlands
Publisher Date 2015-08-27
Publisher Place Dordrecht
Access Restriction One Nation One Subscription (ONOS)
Subject Keyword Definitions of music Musicality Pluralism Musical cognition Evolution of music Philosophy of Science
Content Type Text
Resource Type Article
Subject Philosophy History and Philosophy of Science
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