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| Content Provider | Springer Nature Link |
|---|---|
| Author | Hutch, Richard |
| Copyright Year | 2005 |
| Abstract | Mel Gibson’s film is a creative reworking of opportunities provided by migrating to Australia as a boy and a life-long desire to be reconciled to his father, Hutton Gibson. If the film is read as a study in psychology and biography, then biblical and theological critiques, along with contemporary politically correct stances towards what Gibson did, can be set temporarily aside in search of a larger trajectory of meaning implicit in the film. The embodied nature of the film, along with other violent films in which Gibson starred in the past three decades, points to wellsprings of “power in the blood.” Violence becomes an idiom of reconciliation with authority. Gibson’s relationship to his father plays a major role in such a reading of the film. A continuous reconciliation with his father is evident not only in thematic continuities over the course of Mel Gibson’s professional acting career and starring roles. It also structures the director’s construction of Christ’s Passion. A desire “not to be forsaken” gives rise to this idiosyncratic and controversial film, itself a cinematic statement about Gibson’s own personal spiritual torment. |
| Starting Page | 337 |
| Ending Page | 340 |
| Page Count | 4 |
| File Format | |
| ISSN | 00312789 |
| Journal | Pastoral Psychology |
| Volume Number | 53 |
| Issue Number | 4 |
| e-ISSN | 15736679 |
| Language | English |
| Publisher | Kluwer Academic Publishers-Plenum Publishers |
| Publisher Date | 2005-01-01 |
| Publisher Place | New York |
| Access Restriction | One Nation One Subscription (ONOS) |
| Subject Keyword | Gibson’s Passion psychobiography reconciliation spirituality Religion Sociology Psychology Clinical Psychology Cross Cultural Psychology |
| Content Type | Text |
| Resource Type | Article |
| Subject | Sociology and Political Science Religious Studies Social Psychology Applied Psychology |
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