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| Content Provider | Springer Nature Link |
|---|---|
| Author | Feng, Zongxin |
| Copyright Year | 2016 |
| Abstract | This essay deals with a special text-type in postmodern Chinese fiction which radically deviates from all conventional forms of narrative. Appearing as a “short story” but in the form of a schoolboy’s spontaneous scripts and absent-minded scratches, it presents everything naturalistically in a non-fictional mode. By presenting trivial characters and uneventful happenings in random pieces that constitute a new form of narrative, its author artfully shows rather than tells that life is more realistic in the eyes of a child and is richer, more colorful and meaningful in fragments. With newness on almost all levels of linguistic and narrative presentation, the story practices eventful narration in process narration by interweaving fragments into a highly coherent discourse of fictional narrative. While there is hardly a theme or obvious message in most of the individual pieces, the story as a whole implies undertones of the satire on many aspects of school and family life. This avant-garde literary experiment not only refreshes the reader’s schema of literature and adds to their experience of literary reading, but also contributes to the making of postmodern fiction by enriching the concept of narrative, the definition of narrativity, and ultimately the notion of literature. |
| Starting Page | 73 |
| Ending Page | 88 |
| Page Count | 16 |
| File Format | |
| ISSN | 03244652 |
| Journal | Neohelicon |
| Volume Number | 43 |
| Issue Number | 1 |
| e-ISSN | 15882810 |
| Language | English |
| Publisher | Springer Netherlands |
| Publisher Date | 2016-07-05 |
| Publisher Place | Dordrecht |
| Access Restriction | One Nation One Subscription (ONOS) |
| Subject Keyword | Avant garde Postmodern fiction Literary discourse Literariness Narrativity Comparative Literature |
| Content Type | Text |
| Resource Type | Article |
| Subject | Arts and Humanities Law |
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