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| Content Provider | Springer Nature Link |
|---|---|
| Author | Farbstein, Rebecca |
| Copyright Year | 2010 |
| Abstract | This paper analyzes the gestures and technologies used to make Paleolithic portable art. Contextualized within the theoretical schools of the anthropology of technology and using the chaîne opératoire methodology, the approach advanced here quantifies the relationships between technology, society, and aesthetics in the production of Paleolithic art. Focusing on Pavlovian art, dating to between 28,000 and 24,000 radiocarbon years BP, this paper assesses the suite of art production technologies, particularly those used when modifying and decorating ivory, and traces the relationship between decorative techniques and other characteristics of art. These analyses offer insight into Pavlovian art traditions and the emergence of innovative techniques in Paleolithic societies. |
| Starting Page | 125 |
| Ending Page | 146 |
| Page Count | 22 |
| File Format | |
| ISSN | 10725369 |
| Journal | Journal of Archaeological Method and Theory |
| Volume Number | 18 |
| Issue Number | 2 |
| e-ISSN | 15737764 |
| Language | English |
| Publisher | Springer US |
| Publisher Date | 2010-06-08 |
| Publisher Place | Boston |
| Access Restriction | One Nation One Subscription (ONOS) |
| Subject Keyword | Art Technology Chaîne opératoire Gravettian Archaeology Anthropology |
| Content Type | Text |
| Resource Type | Article |
| Subject | Archeology Archeology (arts and humanities) |
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