NDLI: The Modality of Artistic Objects

Content Provider	Springer Nature Link
Author	Adair, Stephanie
Copyright Year	2016
Abstract	Nicolai Hartmann describes how artistic objects arise through the interplay between a material foreground and immaterial background. In this paper, I show how the layered structure also prevents the modal imbalance inherent in artistic objects from violating the intermodal laws of the real. The real law of intermodal implication specifies that real possibility cannot extend beyond real necessity. I begin by explicating the real intermodal laws and describing how they give the real sphere its characteristic narrowness and determinateness. Hartmann describes artistic objects as entailing a possibility that extends beyond real necessity. This intermodal imbalance does not, however, threaten the hegemony of the real intermodal laws, because only its foreground layer is fully situated within the real sphere of being. Its background layer has components that belong to the ideal sphere governed by the ideal modes. For the ideal modes, the law of intermodal implication only holds in one direction so that what is necessary must be actual and what is actual must be possible. Since this relation of implication is not reciprocal for the ideal modes, ideal possibility implies neither ideal actuality nor ideal necessity.
Starting Page	147
Ending Page	159
Page Count	13
File Format	PDF
ISSN	11221151
Journal	Axiomathes
Volume Number	27
Issue Number	2
e-ISSN	15728390
Language	English
Publisher	Springer Netherlands
Publisher Date	2016-04-25
Publisher Place	Dordrecht
Access Restriction	Subscribed
Subject Keyword	Actuality Artistic object Ideal sphere Intermodal laws Necessity Nicolai Hartmann Possibility Real sphere Philosophy Ontology Linguistics Cognitive Psychology Logic
Content Type	Text
Resource Type	Article
Subject	Philosophy Mathematics

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