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| Content Provider | Springer Nature Link |
|---|---|
| Author | Duvery, Sylvie |
| Copyright Year | 2015 |
| Abstract | Italian religious architecture of the late Cinquecento is marked by an innovative interpretation of the canon of the central plan that generates a new type of Baroque church: the elongated central space. By building oval churches covered with oval domes, Jacopo Barozzi da Vignola (1507–1573) introduced a new pattern into the architectural shape grammar. The geometry of the oval figure gracefully combines the theoretical concept of cosmic centrality and the pragmatic necessities of liturgical linearity. However it raises a number of design problems for which architects devised various and inventive solutions. The comparison of various churches dating back to no later than the end of the Seicento, highlights the diversity of all the projects. Although every church is unique in its layout, design, features and decoration, all oval churches propose similar challenges to their designer, the most important of which are the choice of the geometrical pattern, the dome, and the façade. |
| Starting Page | 425 |
| Ending Page | 456 |
| Page Count | 32 |
| File Format | |
| ISSN | 15905896 |
| Journal | Nexus Network Journal |
| Volume Number | 17 |
| Issue Number | 2 |
| e-ISSN | 15224600 |
| Language | English |
| Publisher | Springer Basel |
| Publisher Date | 2015-05-20 |
| Publisher Place | Basel |
| Access Restriction | One Nation One Subscription (ONOS) |
| Subject Keyword | Oval churches Italian baroque Religious architecture Central space Mathematics History and Philosophical Foundations of Physics Popular Science History |
| Content Type | Text |
| Resource Type | Article |
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