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Encontrar mi propia música: tensiones entre la gestión del cuidado y los espacios de autonomía en mujeres de sectores medios y populares
| Content Provider | Semantic Scholar |
|---|---|
| Author | Silba, Malvina Leonor Spataro, Carolina |
| Copyright Year | 2018 |
| Abstract | The objective of this article is to consider the social uses of music in relation to the configurations of gender and the logics of domestic care. More specifically, we are interested in studying the place of cumbia and romantic music –two genres underestimated by both aesthetic criticism, which considers them to be of poor quality, and by diverse ideological positions, which define them as male-chauvinistic– in the life of women of the middle and popular sectors. Our study is grounded on the specific fieldwork of young people who attended cumbia dance parties in Buenos Aires Conurbano and with the middle-aged and elderly women who were part of the Ricardo Arjona’s fan club in Buenos Aires. We intend to analyze the meanings these women ascribe to the hours invested in listening to their favorite music and going to a dance or a fan club. Also, we will examine the tensions which arise in regard to the duties of administration of the home and family, for those who were responsible, and the domestic negotiations these women carried out in order to be able to experience what they defined as moments of “pleasure,” “freedom,” and “celebration.” |
| Starting Page | 5 |
| Ending Page | 5 |
| Page Count | 1 |
| File Format | PDF HTM / HTML |
| Volume Number | 2 |
| Alternate Webpage(s) | https://www.descentrada.fahce.unlp.edu.ar/article/download/DESe035/9217 |
| Alternate Webpage(s) | http://sedici.unlp.edu.ar/bitstream/handle/10915/67581/Documento_completo.pdf-PDFA.pdf?isAllowed=y&sequence=1 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
