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Los festivales de fotografía. El análisis cuantitativo como herramienta para matizar la historia de la fotografía.
| Content Provider | Semantic Scholar |
|---|---|
| Author | Delgado, Barrena Dolores, María |
| Copyright Year | 2018 |
| Abstract | Ever since its dissemination, photography has earned a symbolic prestige and a space on its own. The photography festivals have contributed to this since the sixties of the 20th Century, and its study and assessment is one of the starting points for understanding its narrative. A narrative that has been built from premises that include the photographic image as a form of artistic communication, through the election of the representative and the movement of the images. Thus, conducting a research over the map of photographic encounters is also a way to formulate the history of photography. This analysis has been developed considering 225 festivals from 70 countries, that were held between 1970, year of establishment of the Rencontres Internationales de la Photographie in Arlés, and 2015, date selected as the alleged year of economic recovery. For this research, social, economic and political changes as well as technological and artistic ones have been considered, and therefore the interpretation of its results is contextual from the point of view of space and time |
| Starting Page | 123 |
| Ending Page | 139 |
| Page Count | 17 |
| File Format | PDF HTM / HTML |
| DOI | 10.4995/CIFo17.2017.6738 |
| Alternate Webpage(s) | https://riunet.upv.es/bitstream/handle/10251/114945/6738-19523-2-PB.pdf?isAllowed=y&sequence=1 |
| Alternate Webpage(s) | https://doi.org/10.4995/CIFo17.2017.6738 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
