NDLI: The Creative Studio Practice of Contemporary Dance Music Sampling Composers

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The Creative Studio Practice of Contemporary Dance Music Sampling Composers

Content Provider	Semantic Scholar
Author	Morey, Justin McIntyre, Phillip
Copyright Year	2014
Abstract	This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers. Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial. These considerations include acts of listening, selecting and editing. In examining these matters this paper places emphasis on how sampling composers actively constrain their options in order to promote a creative relationship with their musical material. Techniques such as, firstly, traditional sample manipulation, secondly, the use of a sample as an initial building block for a composition from which the sample is then removed and, finally, live performance in the studio which is subsequently cut up and treated as a sample, will be discussed. Case studies, in the form of semi-structured interviews with sampling composers, will be drawn upon to assess approaches to and views about these forms of studio composition.
Starting Page	41
Ending Page	60
Page Count	20
File Format	PDF HTM / HTML
DOI	10.12801/1947-5403.2014.06.01.03
Volume Number	6
Alternate Webpage(s)	http://eprints.leedsbeckett.ac.uk/2069/1/454-1586-1-PB(2).pdf
Alternate Webpage(s)	https://ogma.newcastle.edu.au/vital/access/services/Download/uon:20773/ATTACHMENT02
Alternate Webpage(s)	http://eprints.leedsbeckett.ac.uk/1241/1/454-1586-1-PB.pdf
Alternate Webpage(s)	https://nemvat.com/the_creative_studio_practice_of_contemporary_dance_music_sampling.pdf
Alternate Webpage(s)	https://doi.org/10.12801/1947-5403.2014.06.01.03
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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