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La interpretación grotesca en el teatro-danza : Marta Carrasco
| Content Provider | Semantic Scholar |
|---|---|
| Author | Sastre, Martín Bienvenido Fons |
| Copyright Year | 2012 |
| Abstract | El presente estudio analiza las propuestas de teatro-danza llevadas a cabo por la creadora espanola Marta Carrasco desde la optica del trabajo interpretativo realizado por el actor/bailarin a partir de las teorias de lo grotesco. Ello nos permite hablar de una actuacion grotesca fundamentada en el trabajo del cuerpo escenico o bios del interprete con unas caracteristicas formales concretas que tienen su plasmacion fisica durante las creaciones de esta bailarina y coreografa. This paper analyzes the Tanztheater proposals devised by Spanish creator Marta Carrasco, focusing on the performance of the actor/dancer from the point of view of the theories of the grotesque. This perspective allows us to talk about a grotesque acting style based on the work of the performer’s body on stage, or bios. This style displays a series of formal characteristics that have their physical translation in the staging of Carrasco’s creations. |
| Starting Page | 177 |
| Ending Page | 197 |
| Page Count | 21 |
| File Format | PDF HTM / HTML |
| DOI | 10.5944/signa.vol21.2012.6305 |
| Volume Number | 21 |
| Alternate Webpage(s) | http://www.cervantesvirtual.com/descargaPdf/la-interpretacion-grotesca-en-el-teatro-danza-marta-carrasco/ |
| Alternate Webpage(s) | http://e-spacio.uned.es/fez/eserv/bibliuned:signa-2012-21-5070/Documento.pdf |
| Alternate Webpage(s) | https://doi.org/10.5944/signa.vol21.2012.6305 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
