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Diaspora Cruises: Queer Black Proletarianism in Claude McKay's A Long Way from Home
| Content Provider | Semantic Scholar |
|---|---|
| Author | Holcomb, Gary Edward |
| Copyright Year | 2003 |
| Abstract | My analysis of A Long Way from Home (1937) subjects the memoir's closeted narrative to a poem collected in one of McKay's first publications, Constab Ballads (1912) as well as passages from his novel Home to Harlem (1928). A Long Way from Home takes steps to suppress its queer voice and proletarian presence. Though shadowy, such imprints may be traced-despite McKay's care in suppressing the entangled presences of "the love that dare not speak its name" and his onetime persistent dedication to Communism. |
| Starting Page | 714 |
| Ending Page | 745 |
| Page Count | 32 |
| File Format | PDF HTM / HTML |
| DOI | 10.1353/mfs.2003.0072 |
| Volume Number | 49 |
| Alternate Webpage(s) | http://users.uoa.gr/~cdokou/McKayBarakaRESOURCES/Holcomb%20G.%20Queer%20Black%20Proletarianism%20in%20Claude%20McKay2003.pdf |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
