NDLI: Iracema No Cinema E O Desejo Pelo Real

Content Provider	Semantic Scholar
Author	Coimbra, Marcos Da Silva
Copyright Year	2009
Abstract	This work wishes to understand the discursive strategies used by the movie directors Jorge Bodanzky and Orlando Senna, from the expansion and the subversion of the native indianist theme of Iracema, based in the work of Jose de Alencar, for using filming methods that would allow that the Brazilian scene of the time would be boarded in it's completeness and without ornaments, also allowing the fiction and the documentary to stand together in a play that gives a lot of freedom to the characters, assimilating also random events.
File Format	PDF HTM / HTML
Volume Number	3
Alternate Webpage(s)	http://e-revista.unioeste.br/index.php/travessias/article/download/3215/2533
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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