NDLI: Retromanía, artificio y transgresión del glam en la música popular española del siglo XXI

Content Provider	Semantic Scholar
Author	Meléndez, Sara Arenillas
Copyright Year	2017
Abstract	Los comienzos del siglo XXI se han distinguido por la masificacion de internet y la fragmentacion de las audiencias, lo cual ha producido lo que Simon Reynolds (2011) denomina retromania , es decir, la sucesion e hibridacion de diferentes revivals definidos por un sentimiento de nostalgia. El discurso del glam , caracterizado por el enfasis en el artificio y en la transgresion de genero, se ha insertado con facilidad en estos revivals debido a su eclecticismo y heterogeneidad musical. El objetivo de este trabajo es analizar como la transgresion asociada al glam se adapto al contexto espanol en la decada del 2000-2010 de manera similar a como se estaba haciendo en el contexto internacional: primero dentro del revival del rock (Babylon Chat, Circodelia) y mas tarde recuperando tendencias de los anos ochenta como la new wave (Glamour to Kill, Nancys Rubias).
Starting Page	163
Ending Page	183
Page Count	21
File Format	PDF HTM / HTML
DOI	10.5209/CMIB.56551
Volume Number	29
Alternate Webpage(s)	http://revistas.ucm.es/index.php/CMIB/article/download/56551/51100
Alternate Webpage(s)	https://doi.org/10.5209/CMIB.56551
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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