Loading...
Please wait, while we are loading the content...
Similar Documents
La chute de la femme-objet:comment Catherine Breillat intègre son discours érotique féminin à la conceptualisation de la femme-sujet, à travers la caméra, dans ses deux films Anatomie de L'enfer et À ma soeur
| Content Provider | Semantic Scholar |
|---|---|
| Author | Albuquerque, Ojana |
| Copyright Year | 2013 |
| Abstract | La chute de la femme-objet: comment Catherine Breillat intègre son discours érotique féminin à la conceptualisation de la femme-sujet, à travers la caméra, dans ses deux films Anatomie de l’Enfer et À ma sœur probes the ties between the formation of women’s subjectivity in Breillat’s movies, its results in cinematographic sphere and its impact on spectators. On the movie screen, what was then unknown provokes deep reactions for showing us representations that go towards, against, and beyond our ontological experience as spectators. This sense of reality is highly prolific, since, by feeling restless, we start posing questions and thus, we release our criticism, not remaining stuck or passive in front of reality. Breillat’s movies reach their climax when the restlessness and discomfort reach the spectator. The present work is an attempt to raise questions that may seem contradictory and trying to answer them in a more accessible way, having in mind what is essentially human in |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | http://digitalrepository.unm.edu/cgi/viewcontent.cgi?article=1078&context=fll_etds |
| Alternate Webpage(s) | https://digitalrepository.unm.edu/cgi/viewcontent.cgi?article=1078&context=fll_etds |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
