Políticas de la espectralidad en el cine de Raúl Ruiz: una lectura desde una filosofía de la desaparición

Content Provider	Semantic Scholar
Author	Peñaloza, Adolfo Vera
Copyright Year	2013
Abstract	The cinematographic work of Raul Ruiz, filmmaker, writer, playwright and stage designer, chilean exiled in France since the late 70's and deceased in 2011, at first sight not appear as a political work. Usually classified with the labels of "neosurrealistic" or "fantasy film", his work, since not refer to a specific and identifiable reality from the positivist sociology standpoint, will have not most interest to analyze and think what the political "emergency" of our times requires. However, from a philosophical analysis of what the political demise implies for the thinking of the community, of the event and the History, analysis that mark the question of spectrality as the key for the understanding what was then (not) occurs, this work - which dilutes all limit between the real and the unreal - appear as one of the most important of our time.
Starting Page	92
Ending Page	101
Page Count	10
File Format	PDF HTM / HTML
DOI	10.22370/rhv.2013.1.86
Alternate Webpage(s)	https://revistas.uv.cl/index.php/RHV/article/download/6/74
Alternate Webpage(s)	https://doi.org/10.22370/rhv.2013.1.86
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article