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La crítica literaria sobre escritoras colombianas a partir de los años ochenta
| Content Provider | Semantic Scholar |
|---|---|
| Author | Consuegra, Adriana Rosas |
| Copyright Year | 2016 |
| Abstract | Resumen: Los ochenta son considerados como la epocadel “boom” femenino y en Latinoamerica se empieza areconocer la historia de la literatura de mujeres que habiapermanecido en estantes y fuera del circuito del canonliterario. Sin embargo, en Colombia la critica literaria nose acerco a la literatura escrita por mujeres de manera similara como se hizo con la de autores hombres. En variasantologias los nombres femeninos no aparecen, creandoasi un circulo excluyente, que se manifiesta tambien enlas criticas literarias. El genero, desafortunadamente yafortunadamente, todavia debe seguir siendo utilizadohasta que se nivelen las publicaciones, las criticas y loscomentarios sobre escritoras y escritores. Cuando la tablade equivalencias llegue a dar resultados similares ya nohabra necesidad de hacer las distinciones de genero, perohasta que no hayamos llegado a esa meta, se precisanmas estudios y analisis con perspectiva de genero quesirvan para acortar las distancias. Cuando se llegue aaquella llamada ‘equidad’, la misma palabra generopasara desapercibida.Palabras clave: Literatura de mujeres, critica literariaen Colombia, Marvel Moreno, equidad literaria, generoLiterary Criticism about Colombian Women WritersStarting in the 80’sAbstract: The eighties are considered the time of the“feminine boom” as in Latin America women’s writing thathad remained on shelves and out of the loop of the literarycanon, begins to be recognized. However, in Colombialiterary criticism did not approach the study of literaturewritten by women as much as it studied that written bymen. In several anthologies female names do not appear,creating an exclusive circle, which is also manifested inliterary criticism. Gender, unfortunately and fortunately,still must be used until the publications, the reviews andcomments on women writers and men writers are equal.When they are equivalent there will be no need to makegender distinctions, but until we reach that goal, furtherstudies and analysis with a gender perspective will beneeded over time. When we arrive at the so-called ‘equity’,the very word gender will go unnoticed.Key Words: Women’s literature, literary criticism inColombia, Marvel Moreno, literary equity, gender |
| Starting Page | 59 |
| Ending Page | 65 |
| Page Count | 7 |
| File Format | PDF HTM / HTML |
| DOI | 10.25100/lamanzanadeladiscordia.v10i1.1595 |
| Volume Number | 10 |
| Alternate Webpage(s) | http://manzanadiscordia.univalle.edu.co/index.php/la_manzana_de_la_discordia/article/download/1595/1702 |
| Alternate Webpage(s) | https://doi.org/10.25100/lamanzanadeladiscordia.v10i1.1595 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
