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" Universe of Wounds": Visions of Redemptive Apocalypse in Tony Kushner's Angels in America
| Content Provider | Semantic Scholar |
|---|---|
| Author | Muhammed, Amaal Jassim |
| Copyright Year | 2010 |
| Abstract | Apocalypse is evoked by Tony Kushner in Angels in America in order to suggest the necessity of the ends and the redemptive effects those ends may have in the lives of alienated individuals. The play functions as a reminder of catastrophes: AIDS, racism, homophobia, sexism, moral erosion and drug addiction. These are the plays' most obvious examples of the imminent end of history and of America as a nation. These calamities act as a revelation uncovering the catastrophic breakdown in every area of the American politics and culture. These images of the end ignite Kushner's anxiety about radical and possible transformation or redemption of the condition of life in America in the coming Millennium. This is what the present paper attempts to explore. Turning and turning in the widening gyre The falcon can not hear the falconer; Things fall apart; the center cannot hold; Mere anarchy is loosed upon the world. (W.B. Yeats) In these famous lines from The Second Coming the world is on the threshold of an apocalyptic moment. The concept of centrality which is used as a signifier of order, structure and coherence is unable to hold. The world, then, must brace itself for the loosing anarchy and chaos. Here Yeats describes an apocalyptic vision in which the world collapses into anarchy because of an internal flaw in humanity. |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | https://www.iasj.net/iasj?aId=13317&func=fulltext |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
