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He Looks Mighty Pretty When He Gets Mad: Relationships of Face versus Body in The Man Who Shot Liberty Valance
| Content Provider | Semantic Scholar |
|---|---|
| Author | Roach, Samantha Chris |
| Copyright Year | 2014 |
| Abstract | Roach proposes an inventive reconsideration of the film’s two stars, John Wayne and Jimmy Stewart that is premised fervently on post-structural deconstructions of masculinity and the politics of the body. Through gestural analyses and close attention to the ways in which both men occupy the filmic space, the article establishes a rigorous interpretation of Richard Dyer’s theories of stardom that is premised upon relational aesthetics: of not only its leads’ interactions with each other, but also an ethic of genre-based intertextuality |
| Starting Page | 5 |
| Ending Page | 5 |
| Page Count | 1 |
| File Format | PDF HTM / HTML |
| Volume Number | 5 |
| Alternate Webpage(s) | https://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=1043&context=kino |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
