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The Dionysian signs in Richard Wagner's Tannhäuser
| Content Provider | Semantic Scholar |
|---|---|
| Author | Iitti, Sanna Raziskovalka, Samostojna Wagnerja, Richarda |
| Copyright Year | 2015 |
| Abstract | The article discusses Dionysian signs in Richard Wagner's opera Tannhäuser und der Sängerkrieg auf Wartburg, focusing on Venus's arietta “Geliebter! Komm”. The method exemplifies musical topics' semiotic analysis. It is proposed that the arietta's pastoral style constitutes a lyric Dionysian sign. |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/download/3008/2674 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |