NDLI: Entre os salões e a institucionalização da arte

Content Provider	Semantic Scholar
Author	Forte, Graziela Naclério
Copyright Year	2010
Abstract	Este artigo discute os motivos que levaram Flavio de Carvalho, Di Cavalcanti, Antonio Gomide e Carlos Prado a criarem, em novembro de 1932, na cidade de Sao Paulo, o Clube de Artistas Modernos (CAM), uma agremiacao cultural favoravel a promocao da arte moderna, sem depender da ajuda financeira dos mecenas. Esta associacao apareceu entre a fase final dos saloes culturais promovidos pela elite e o inicio da institucionalizacao do Estado, da consolidacao de um mercado para as artes e do incentivo dado a industria de massa. Estas mudancas foram fundamentais porque determinaram as novas possibilidades de acesso as oportunidades de trabalho para os artistas.
Starting Page	271
Ending Page	284
Page Count	14
File Format	PDF HTM / HTML
DOI	10.11606/issn.2316-9141.v0i162p271-284
Alternate Webpage(s)	http://www.revistas.usp.br/revhistoria/article/download/19159/21222
Alternate Webpage(s)	https://doi.org/10.11606/issn.2316-9141.v0i162p271-284
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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