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El inicio de la recepción cervantina en Alemania: las primeras adaptaciones teatrales del Quijote
| Content Provider | Semantic Scholar |
|---|---|
| Author | Iglesias, Carmen Rivero |
| Copyright Year | 2012 |
| Abstract | The present study analyzes the first appearances of Don Quixote on German stages. The goal is to illustrate how these theatrical performances determine the reception of Cervantes' work in 17 th century Germany. The first performances in Heidelberg (1613) and Dessau (1614) display an interpretation of Don Quixote , which intensifies the grotesque dimension of Cervantes' original. Its satire is transformed into a satire of Spain in a context determined by political and religious animosity between Catholics and Protestants. The first German translation inherited this conception of Cervantes' work. This conception would acquire new shades until middle of the 18 th century, when the alteration of historical coordinates and the rise of individuality and genius thoroughly transformed its interpretation. |
| Starting Page | 121 |
| Ending Page | 132 |
| Page Count | 12 |
| File Format | PDF HTM / HTML |
| DOI | 10.3989/anacervantinos.2012.006 |
| Volume Number | 44 |
| Alternate Webpage(s) | http://analescervantinos.revistas.csic.es/index.php/analescervantinos/article/download/216/216 |
| Alternate Webpage(s) | https://doi.org/10.3989/anacervantinos.2012.006 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
