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Harmony and Voice Leading in Jazz Improvisation: Formulating an Analytical Framework For a Comparative Analysis of a Bill Evans and Herbie Hancock Performance of Hancock's "Dolphin Dance"
| Content Provider | Semantic Scholar |
|---|---|
| Author | Dunn, Tony |
| Copyright Year | 2010 |
| Abstract | w Introduction ? Part I: The Jazz Score 12 1.1. Lead Sheet Structures 18 1.1.1. Formal Structure 18 1.1.2. Harmonic Structure 21 1.1.2.1. Harmonic Structure Tonality 22 1.1.2.2. Harmonic Structure Modality 27 1.2. Harmonic and Formal Structural Analysis of Dolphin Dance.31 Partii: Jazz Theory "Treatises" 48 2.1 . Tonal Consideration 49 2.2. Modal Consideration 63 Part III: Deriving Score3 for Five Dolphin Dance Passages 77 3.1. Passage #1 (mm.5-8) 79 3.2. Passage #2 (mm.912) 81 3.3. Passage #3 (mm. 17-20) 83 3.4. Passage #4 (mm. 31-34) 85 3.5. Passage #5 (mm. 1-4) 88 3.6. Score 3 Derivations 92 |
| File Format | PDF HTM / HTML |
| DOI | 10.20381/ruor-12623 |
| Alternate Webpage(s) | https://ruor.uottawa.ca/bitstream/10393/28607/1/MR69023.PDF |
| Alternate Webpage(s) | https://doi.org/10.20381/ruor-12623 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |