NDLI: Faux et plagiats dans les littératures émergentes : quand le marché éditorial français impose ses lois

Content Provider	Semantic Scholar
Author	Pinçonnat, Crystel
Copyright Year	2001
Abstract	Deja avec "J’irai cracher sur vos tombes", sous le pseudonyme de Vernon Sullivan, Boris Vian exploitait une veine a succes : l’engouement du public francais pour les « Series Noires ». Les « faux romans “beurs” », qui ont vu le jour a la fin des annees 90 (l’« affaire » Chimo, suivie de la « deferlante » Paul Smail), repondent a cette meme logique. Ces « plagiats imaginaires » (G. Genette) developpent toutefois une strategie specifique : comme gage d’authentification, ils jouent sur la figure d’un auteur fictif a l’identite ethnique puissante dans l’imaginaire collectif national.
File Format	PDF HTM / HTML
Alternate Webpage(s)	https://hal-amu.archives-ouvertes.fr/hal-01341670/document
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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