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Un corps à soi : socio-anthropologie des corps vulnérables au féminin dans La cloche de verre (2004), Malina (2000) et Tout comme elle (2006) de Sibyllines
| Content Provider | Semantic Scholar |
|---|---|
| Author | Jobin, Emilie |
| Copyright Year | 2012 |
| Abstract | Body movement is at the centre of Quebec director Brigitte Haentjens’ theatical productions. Through her direction, the body becomes an instrument which has a profound effect on the audience. The purpose of this research is to determine how this director is able to establish a strong link with her audience through the use of the female body. We discuss three works having similar themes of women’s oppression, La cloche de verre (2004), Malina (2000) and Tout comme elle (2006). Our hypothesis is that the connection between the audience and the bodies on stage depends on the vulnerability of these bodies. Each production is looked at through the lens of Patrice Pavis’ vectorization method. In addition, we employ Eugenio Barba’s theater anthropology to identify the energy on stage and sociological theories to link the female characters’ submission to the rules established by society. Throughout this paper, we provide a detailed review of Brigitte Haentjens’s representations of the vulnerable body. |
| File Format | PDF HTM / HTML |
| Alternate Webpage(s) | https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/7018/Jobin_Emilie_2011_memoire.pdf?isAllowed=y&sequence=4 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
