De l’icône à l’image du Christ, entre Orient et Occident (IXe-XIIIe siècles): une image «paradoxale»

Content Provider	Semantic Scholar
Author	Russo, Daniel
Copyright Year	2007
Abstract	As relacoes intensas entre Bizâncio e Ocidente latino podem ser percebidas atraves daiconografia cristica entre os seculos IX e XIII, ainda que a evolucao desta no Ocidente e Oriente naotenha sido univoca e convergente. Assim, a evolucao da Maiestas Christi para o Cristo Juiz eRedentor implicou, em Bizâncio, no desenvolvimento de uma estrutura narrativa e do tema daDeisis , enquanto no Ocidente, Cristo abandona a forma da mandorla que o envolvia, apresentando-se, por um lado, mais humano e humilde, explorando o tema da exposicao das chagas, e, poroutro, apresentando outros elementos para apresenta-lo em gloria. PALAVRAS-CHAVE: iconografia medieval; Cristo; Bizâncio; Ocidente latino. ABSTRACT The intense relationship between Byzantium and latin Occident can be analyzed through the critic iconography from IX to XIII centuries, even though the evolution of it in Occident and Orient were not unique nor convergent. Thus, the evolution from Maiestas Christi to the Christ of judge and redemption implicated, in Byzantium, the development of a narrative structure and the Deisis theme, whereas in Occident, Christ renounced the almond shape that involved him, presenting him more human and humbler, exploring the theme of the exposition of sores and, at the other hand, introducing other elements to show him in glory. KEY WORDS: medieval iconography; Christ; Byzantium; latin Occident.
Starting Page	55
Ending Page	79
Page Count	25
File Format	PDF HTM / HTML
DOI	10.5433/rdi.v1i1.18
Volume Number	1
Alternate Webpage(s)	http://www.uel.br/revistas/uel/index.php/dominiosdaimagem/article/download/23152/16916
Alternate Webpage(s)	https://doi.org/10.5433/rdi.v1i1.18
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article