La escritura y los procesos de occidentalización del mito y legitimación de la imagen en Las Postrimerías de Carabuco

Content Provider	Semantic Scholar
Author	Ferrero, Sebastián Miguel Vázquez
Copyright Year	2015
Abstract	Commissioned by Joseph de Arellano, parish priest of Carabuco (current Bolivia), the painter Jose Lopez de los Rios executed a series of four paintings on the theme of the Last Things in 1683. At the bottom of these paintings he included a narrative cycle of thirty scenes depicting the coming of an apostle to the Andes, and the story of the Cross left by said apostle at Carabuco. These episodes were introduced into half-divided circles, reserving the top for the iconography and the bottom for the written word. This work aims to rethink the relationship between images and writing and demonstrate, in this particular case, that the inclusion of writing worked as an agent of legitimization of iconographic representation in order to Occidentalize the oral Andean tradition.
Starting Page	645
Ending Page	680
Page Count	36
File Format	PDF HTM / HTML
DOI	10.3989/revindias.2015.020
Alternate Webpage(s)	http://revistadeindias.revistas.csic.es/index.php/revistadeindias/article/download/1000/1073
Alternate Webpage(s)	https://doi.org/10.3989/revindias.2015.020
Volume Number	75
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article