NDLI: La Sombra Precolombina En El Ethos Barroco En Las Obras De Carlos Fuentes, Octavio Paz Y Rufino Tamayo

Content Provider	Semantic Scholar
Author	Song, Sang-Kee
Copyright Year	2001
Abstract	América, continente de simbiosis, de mutaciones, de vibraciones, de mestizajes, fue barroca desde siempre: las cosmogonías americanas, ahí está el Popol Vuh, ahí están los libros de Chilam Balam, ahí está todo lo que se ha estudiado recientemente a través de los trabajos de Ángel Garibay, de Adrián Recinos, con todos los cinco soles. (En una antigua mitología azteca estaríamos actualmente en la Era del Sol Quetzalcóatl). Todo lo que se refiere a cosmogonía americana —siempre es grande América— está dentro de lo barroco. Alejo Carpentier
Starting Page	251
Ending Page	265
Page Count	15
File Format	PDF HTM / HTML
DOI	10.5195/reviberoamer.2001.5905
Volume Number	67
Alternate Webpage(s)	http://revista-iberoamericana.pitt.edu/ojs/index.php/Iberoamericana/article/download/5905/6048
Alternate Webpage(s)	https://doi.org/10.5195/reviberoamer.2001.5905
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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