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Ysambart y la renovación del gótico final en Castilla: Palencia, la Capilla del Contador Saldaña en Tordesillas y Sevilla. Hipótesis para el debate
| Content Provider | Semantic Scholar |
|---|---|
| Author | Souza, Juan Carlos Ruiz Flores, Antonio García |
| Copyright Year | 2010 |
| Abstract | This article studies how Palencia and Tordesillas lead the gothic renovation in the Crown of Castile, before Burgos and Toledo, during the reign of Juan II (1406-54) with the new technical and sculpture language that stems from the Late Gothic imported from the north (France, Bourgogne, Flanders). We study the relationship between Luna’s family and the master Ysambart, who works first in Aragon (Lerida, Daroca and Zaragoza) before going to Castile (Palencia and Sevilla). We think Ysambart could work in Tordesillas too with the master Pedro Jalopa in the wonderful Saldana’s funerary chapel, where Elvira Portocarrero, the first Alvaro de Luna’s wife, was buried. Later, Ysambart would go to Seville Cathedral and Jalopa went to the Toledo cathedral where he’ll be the master of the Don Alvaro de Luna’s Chapel. |
| Starting Page | 43 |
| Ending Page | 76 |
| Page Count | 34 |
| File Format | PDF HTM / HTML |
| DOI | 10.5209/rev_ANHA.2009.v19.31985 |
| Alternate Webpage(s) | http://revistas.ucm.es/index.php/ANHA/article/download/ANHA0909110043A/30841 |
| Alternate Webpage(s) | https://doi.org/10.5209/rev_ANHA.2009.v19.31985 |
| Volume Number | 19 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |