NDLI: Ré-animer l’histoire du cinéma (quand l’animatographe explore le cinématographe)

Content Provider	Semantic Scholar
Author	Tomasovic, Dick
Copyright Year	2004
Abstract	La nature manifestement artificielle du film d’animation, son alterite revendiquee et sa constante reinvention du dispositif forment son identite particuliere (et problematique), mais elles remettent aussi, et surtout, le cinema lui-meme en question, sur les plans historique et esthetique. L’etude de films emblematiques montre en effet que l’entreprise animee invite le cinema a effectuer un retour sur sa propre histoire et propose de nouveaux amenagements de perspectives et d’inedits agencements mobiles dans son temps et son espace.
Starting Page	119
Ending Page	141
Page Count	23
File Format	PDF HTM / HTML
DOI	10.7202/026006ar
Volume Number	14
Alternate Webpage(s)	https://orbi.uliege.be/bitstream/2268/33241/1/re-animer.pdf
Alternate Webpage(s)	https://doi.org/10.7202/026006ar
Language	English
Access Restriction	Open
Content Type	Text
Resource Type	Article

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