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Musicologie historique, ethnomusicologie, analyse: Une musicologie générale est-elle possible?
| Content Provider | Semantic Scholar |
|---|---|
| Author | Nattiez, Jean-Jacques |
| Copyright Year | 2008 |
| Abstract | In the spirit of Irene Deliege's work, notably through enabling a good number of special issues of Musicae Scientiae, towards dismantling the barriers between the various branches of musicology, the author examines some of the reasons behind the fragmentation of our discipline and proposes some ways of building a unified, general musicology. He attributes the fragmentation to ontological issues, to the great variety of phenomena which emerge or of which one takes account in the 20th century, and to the diversity of methods and epistemological conceptualisations to which musicologists subscribe. Seeking to reunify the discipline, he begins by defining common ground, and identifying opportunities for complementarity between historical musicology and the anthropology of music. Then he examines the role of music analysis in these two disciplines. Ultimately, he proposes to found musicology, whatever type of music it concerns, on the distinction between immanent structures, compositional and perceptual strateg... |
| File Format | PDF HTM / HTML |
| DOI | 10.1177/10298649100140S218 |
| Alternate Webpage(s) | https://ojs.uv.es/index.php/ITAMAR/article/download/14032/12951 |
| Alternate Webpage(s) | https://doi.org/10.1177/10298649100140S218 |
| Language | English |
| Access Restriction | Open |
| Content Type | Text |
| Resource Type | Article |
