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Neilson’s authorial process and the actors’ input
| Content Provider | Scilit |
|---|---|
| Author | Cassidy, Gary |
| Copyright Year | 2021 |
| Description | In my interview with Anthony Neilson during the Narrative rehearsals, when asked the question ‘How does the actor shape the text?’, he gave a firm response that$ ^{1}$ there’s a difference between input and influence and I think the actors massively influence the text. But it’s not a direct thing […] A lot of it for me is about trying to create an environment where accidents happen or things that you couldn’t orchestrate, or things you couldn’t predict, happen. [So] they have a huge influence more so than a direct input. There will be a few ideas that people have that go into it, but I don’t think they are terribly conscious of it, they don’t know, in a sense, what it is they’re going to say or do, because it has to be something that chimes with me. Book Name: Contemporary Rehearsal Practice |
| Related Links | https://content.taylorfrancis.com/books/download?dac=C2019-0-05217-9&isbn=9780367809430&format=googlePreviewPdf |
| Ending Page | 52 |
| Page Count | 18 |
| Starting Page | 35 |
| DOI | 10.4324/9780367809430-3 |
| Language | English |
| Publisher | Informa UK Limited |
| Publisher Date | 2021-01-23 |
| Access Restriction | Open |
| Subject Keyword | Book Name: Contemporary Rehearsal Practice Social Sciences, Interdisciplinary |
| Content Type | Text |
