NDLI: Lighting Scenarios 129 8 Honing the Artistic Eye

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Lighting Scenarios 129 8 Honing the Artistic Eye

Content Provider	Scilit
Author	Katatikarn, Jasmine Tanzillo, Michael
Copyright Year	2016
Description	Q. What inspired you to become an artist on CG films? A. I have always been a fan of animation and VFX from childhood. Since I could hold a pencil, I have also always been a painter and very much involved in the arts. I have worked in all mediums from chalk, oil paints, to spray paint while doing graffiti murals ... I grew up in NYC so it was very much a part of my culture. But after college I needed to work and find a way to make steady money. Painting murals and selling my work really didn't appeal to me as I wanted to keep all of it to myself and not sell anything. I started on my current path in magazine graphics learning image manipulation using programs like Photoshop and After Effects on old Macintosh clones. That became a bit boring and repetitive technically and it failed to really challenge me. I eventually decided to get a Masters of Fine Art from SVA in NYC to really learn 3D/motion graphics/film making. After that I worked in advertising and video game cinematics for a few years at various places like R/GA and Blur. But really, what I wanted to do was the high-end feature films because of how large-scale and polished they are. Eventually my reel became good enough for DreamWorks and they moved me to San Francisco to light for Shrek 2. Book Name: Lighting for Animation
Related Links	https://content.taylorfrancis.com/books/download?dac=C2013-0-24115-3&isbn=9781315779591&doi=10.1201/9781315779591-13&format=pdf
Ending Page	198
Page Count	16
Starting Page	183
DOI	10.1201/9781315779591-13
Language	English
Publisher	Informa UK Limited
Publisher Date	2016-12-19
Access Restriction	Open
Subject Keyword	Book Name: Lighting for Animation Visual and Performing Arts Cultural Studies Paints Murals Artistic Wanted Eventually
Content Type	Text
Resource Type	Chapter

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