NDLI: Local and global intersections of popular music history and heritage

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Local and global intersections of popular music history and heritage

Content Provider	Scilit
Author	Knifton, Robert
Copyright Year	2018
Description	In recent years, heritage discourse has shifted from objects to social, intangible practices. Regarding popular music as an example of intangible heritage, this chapter considers its transmission across national boundaries, instances of global musical mixing and the proliferation of new popular music forms where local and global meet. Contrasting accounts of popular music's co-option by the heritage industry in a global perspective with Laurajane Smith's discussion of heritage actions forms a framework, where the creation of popular music as heritage in exhibitions and other heritage projects is considered, with audiences regarded as active participants rather than passive consumers. Myth-making processes at the intersection of local and global music traditions, expressed via stories of music heritage, are discussed with reference to Mikhail Bakhtin's concept of the chronotope. The chapter draws on a number of case studies of heritage practice in popular music from authors discussing examples in Australia, the Czech Republic, Ghana, Hong Kong, the Netherlands, Nigeria, the Philippines, Serbia, Singapore and Tanzania. Book Name: The Routledge Companion to Popular Music History and Heritage
Related Links	http://eprints.whiterose.ac.uk/123118/3/Chapter14_Knifton.pdf https://api.taylorfrancis.com/content/chapters/edit/download?identifierName=doi&identifierValue=10.4324/9781315299310-14&type=chapterpdf
Ending Page	152
Page Count	9
Starting Page	144
DOI	10.4324/9781315299310-14
Language	English
Publisher	Informa UK Limited
Publisher Date	2018-05-16
Access Restriction	Open
Subject Keyword	Book Name: The Routledge Companion To Popular Music History and Heritage Cultural Studies Popular Music Local and Global Intersections Intangible Heritage
Content Type	Text
Resource Type	Chapter

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