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Producing Entechno
| Content Provider | Scilit |
|---|---|
| Author | Varelopoulos, Dimitrios |
| Copyright Year | 2018 |
| Description | This chapter focuses on entechno production, particularly as it was developed in the period between the late 1970s and early 2000s, perceived through two theoretical perspectives: amalgamation and hybridization. The mixed character of entechno production within the recording studio, have chosen four case studies spread over two decades, which belong to the so-called modern "entechno scene". These case studies are used as exemplars to describe the birth and metamorphosis of entechno as it shifted from entechno-laiko, a combination of Greek popular and Western art music, into plain entechno. Entechno is seen as representing a style or approach to music-making and sound production in the recording studio, rather than as a particular point in the spectrum of Greek popular music. The chapter has consciously avoided analysis of the socio-cultural framework within which entechno music came into being. Entechno was the music that author performed from the beginning of musical life. Book Name: Made in Greece |
| Related Links | https://api.taylorfrancis.com/content/chapters/edit/download?identifierName=doi&identifierValue=10.4324/9781315749075-9&type=chapterpdf |
| Ending Page | 95 |
| Page Count | 13 |
| Starting Page | 83 |
| DOI | 10.4324/9781315749075-9 |
| Language | English |
| Publisher | Informa UK Limited |
| Publisher Date | 2018-07-17 |
| Access Restriction | Open |
| Subject Keyword | Book Name: Made in Greece History and Philosophy of Science Entechno Production Greek Popular Recording Studio Two Theoretical |
| Content Type | Text |
| Resource Type | Chapter |
