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Teaching Music History (After the End of History): "History Games" for the Twentieth-Century Survey
| Content Provider | Scilit |
|---|---|
| Author | Fink, Robert |
| Copyright Year | 2017 |
| Description | Playing twentieth-century history games in front of a skeptical audience is certainly more risky than simply reciting the techno-essentialist master narrative for them. It is also more fun—for everyone involved. This chapter reviews the launching self-consciously into a grand postmodern teaching project. Jean-François Lyotard's metanarratives are the overarching, often unexamined histories that intellectual disciplines like religion, philosophy, science, and (yes) musicology have used to legitimize themselves. One sign of a postmodern attitude toward music is a growing impatience with the modernist metanarrative that Christopher Williams has usefully labelled "techno-essentialism". This techno-essentialist master narrative is most compelling; of course, when one construct histories of modern music. The temptation is even stronger when the historian is, in reality, a composer and/or music theorist, rushing in where "official" music historians have often feared to tread. Modernism has collapsed, taking with it the hegemony of the techno-essentialist master narrative. Book Name: Teaching Music History |
| Related Links | https://api.taylorfrancis.com/content/chapters/edit/download?identifierName=doi&identifierValue=10.4324/9781315087436-4&type=chapterpdf |
| Ending Page | 65 |
| Page Count | 23 |
| Starting Page | 43 |
| DOI | 10.4324/9781315087436-4 |
| Language | English |
| Publisher | Informa UK Limited |
| Publisher Date | 2017-07-05 |
| Access Restriction | Open |
| Subject Keyword | Book Name: Teaching Music History Mineralogy History Postmodern Century Historians Twentieth Survey Narrative Essentialist |
| Content Type | Text |
| Resource Type | Chapter |