NDLI: Radical cinema in Israel and Palestine after Oslo

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Radical cinema in Israel and Palestine after Oslo

Content Provider	Scilit
Author	Bresheeth, Haim
Copyright Year	2020
Description	The cinema sent a message of liberation, modernism, justice and radical change, and assisted in the creation of a new national, socialist identity in Russia by creating and projecting new ideas and aesthetics that fed the popular imagination. Filmmaking and film viewing in Occupied Palestine in this period were all but non-existent, with most of the cinemas closed down or destroyed by Islamic militants. In Israel – an affluent, Westernised society with ample public support for cultural production – funding for projects which could not possibly have taken place before was now available from a range of organisations, including the large Israel Cinema Fund and the Rabinowitz Film Fund. Palestinian cinema is impressively lively for such a small, divided nation with such a large diaspora. Indeed, the vivacity and complexity of Palestinian cinema is the envy of many larger and richer nations and now has a global reach. Book Name: Contemporary Radical Film Culture
Related Links	https://api.taylorfrancis.com/content/chapters/edit/download?identifierName=doi&identifierValue=10.4324/9781351006385-10&type=chapterpdf
Ending Page	124
Page Count	12
Starting Page	113
DOI	10.4324/9781351006385-10
Language	English
Publisher	Informa UK Limited
Publisher Date	2020-07-07
Access Restriction	Open
Subject Keyword	Book Name: Contemporary Radical Film Culture Cultural Studies Cinema in Israel Radical Palestine Projects Palestinian Cinema Rabinowitz Film Fund
Content Type	Text
Resource Type	Chapter

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