NDLI: Titus Andronicus at Stratford-on-Avon, 1988*

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Titus Andronicus at Stratford-on-Avon, 1988*

Content Provider	Scilit
Author	Fisher, James
Copyright Year	2015
Description	The chapter suggests that 1989 is the year of Titus Andronicus, at least among New York Metropolitan Shakespeare venues; some say it's because the play mirrors our especially violent and bloody times. It shows how matters appear in these, our troubled days, while pointedly foregrounding the play's inherently ritualistic content to suggest how Shakespeare's Rome handled matters of greatest sociopolitical urgency. At the play's end, there is no closing procession. The rituals have disappeared; They did not work anyway. There are no rights for Tamora, and there will be none for Aaron. It is unusual that the production itself, in all of its facets, rivals its cast for critical acclaim. That is precisely the case in the New Jersey Shakespeare Festival's Titus. If this was the year of Titus Andronicus, Barry's contribution to his public's comprehension of the play's impact has been a significant one. Book Name: Titus Andronicus
Related Links	https://content.taylorfrancis.com/books/download?dac=C2014-0-36613-6&isbn=9781315724911&format=googlePreviewPdf
Ending Page	452
Page Count	2
Starting Page	451
DOI	10.4324/9781315724911-46
Language	English
Publisher	Informa UK Limited
Publisher Date	2015-04-10
Access Restriction	Open
Subject Keyword	Book Name: Titus Andronicus Medieval & Renaissance Studies Shakespeare New Matters Play's Year of Titus Andronicus
Content Type	Text
Resource Type	Chapter

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