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“Sharing What We Lack”
| Content Provider | Scilit |
|---|---|
| Author | Stefanou, Danae |
| Copyright Year | 2018 |
| Description | This chapter explores attention to musical experimentation as "an act the outcome of which is unknown" in the erratically changing context of post-2009 Athens. The juxtaposition of intimate and exclusive versus all-inclusive, mass-oriented venues leads to a discussion on listening and reception. On the invitations and accompanying press material, the venue was describes a "dedicated venue for experimental music and theatre". A music concerned with its materials, sonic or otherwise. A self-reflective, inquisitive music, that investigates or critically comments upon its own means of production. Experimental musicians' primary differentiation from their avant-garde counterparts is the formers' tendency to locate themselves outside of any given tradition. A consistent, dominant, and state-enforced rhetoric is currently impacting against experimental and improvised music-making in Athens. Listeners, critics, and musicians often recount being "initiated" into experimental musical practices via the intimate and focused listening environments of these venues. Book Name: Made in Greece |
| Related Links | https://api.taylorfrancis.com/content/chapters/edit/download?identifierName=doi&identifierValue=10.4324/9781315749075-13&type=chapterpdf |
| Ending Page | 136 |
| Page Count | 12 |
| Starting Page | 125 |
| DOI | 10.4324/9781315749075-13 |
| Language | English |
| Publisher | Informa UK Limited |
| Publisher Date | 2018-07-17 |
| Access Restriction | Open |
| Subject Keyword | Book Name: Made in Greece Experimental Music Athens Listening Musicians Intimate Primary Differentiation |
| Content Type | Text |
| Resource Type | Chapter |
