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| Content Provider | IET Digital Library |
|---|---|
| Author | Wilson, J. |
| Abstract | Ever since the first musicians beat out a rhythm on a hollow log, artists have dreamed of recording their ideas for posterity. Unfortunately, creative types were limited by the technology available to them. This frustration endured for centuries. Up to the late 1970s, if you were an unsigned musician, your options were technically limited and/or prohibitively expensive. This changed in September 1979, when - at the annual meeting of the Audio Engineering Society in New York - Japanese electronics firm Tokyo Electronic Acoustic Company (TEAC) unveiled the TEAC 144 `Tascam Series' four -track recording and mixing unit. It was the world's first four-track recorder based on a standard compact audio cassette tape. TEAC was the only company in the world capable of making a record/play head small enough to accommodate four separate tracks on a cassette's 1/4 -inch tape. The 144 divided the tape into four distinct bands, using the full width of the tape, played in one direction, to record the material. |
| Starting Page | 46 |
| Ending Page | 47 |
| Page Count | 2 |
| ISSN | 17509637 |
| Volume Number | 14 |
| e-ISSN | 17509645 |
| Issue Number | Issue 9, Oct (2019) |
| Alternate Webpage(s) | https://digital-library.theiet.org/content/journals/et/14/9 |
| Journal | Engineering & Technology |
| Access Restriction | Limited |
| Subject Keyword | Audio And Video Equipment Manufacturing Audio Equipment Audio Equipment And System Compact Audio Cassette Tape Creative Types Four-track Recorder History Social And Political Issues TEAC 144 Tokyo Electronic Acoustic Company |
| Content Type | Text |
| Resource Type | Article |
| Subject | Electrical and Electronic Engineering |
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