NDLI: Radio, concerts and the future of music distribution

Content Provider	IEEE Xplore Digital Library
Author	Frejman, A.E.
Copyright Year	2004
Description	Author affiliation: Media Technol. & Graphic Arts, R. Inst. of Technol., Stockholm, Sweden (Frejman, A.E.)
Abstract	Internet has undoubtedly changed the prerequisites for global music distribution once for all. After years of skepticism, clinging to old business models and pirate hunt on P2P networks, the record industry has reluctantly begun to embrace the new channel for marketing and distribution of cultural content. But what do we know about music consumption on P2P networks? Does it coincide with the variety of cultural content in traditional media channels? This work describes the differences in cultural content on P2P networks, concerts and traditional broadcasted media based on comprehensive data on theoretic rage of choice, air play and requested music at P2P services. The study also describes some of the changes in business models that have already taken place. The study concludes among all that legal download services might reduce the present dominance of the big five major record companies in the long run.
Sponsorship	Estudis d'Informatica, Universitat Pompeu Fabra, Spain Fraunhofer Institut Graphische Datenverarbeitung, FhG-IGD, Germany Dipartimento di Sistemi e Informatica, Universita degli Studi di Firenze, Italy Interactive MusicNetwork Multimedia, MUSICNETWORK Project, IST, European Commission Interdisciplinary Centre for Sci. Res. in Music, Univ. of Leeds, UK
Starting Page	166
Ending Page	171
File Size	353469
Page Count	6
File Format	PDF
ISBN	0769521576
DOI	10.1109/WDM.2004.1358114
Language	English
Publisher	Institute of Electrical and Electronics Engineers, Inc. (IEEE)
Publisher Date	2004-09-14
Publisher Place	Spain
Access Restriction	Subscribed
Rights Holder	Institute of Electrical and Electronics Engineers, Inc. (IEEE)
Subject Keyword	Multiple signal classification Internet Law Legal factors Business Cultural differences Broadcasting Marketing and sales Companies Monitoring
Content Type	Text
Resource Type	Article

Sl.	Authority	Responsibilities	Communication Details
1	Ministry of Education (GoI), Department of Higher Education	Sanctioning Authority	https://www.education.gov.in/ict-initiatives
2	Indian Institute of Technology Kharagpur	Host Institute of the Project: The host institute of the project is responsible for providing infrastructure support and hosting the project	https://www.iitkgp.ac.in
3	National Digital Library of India Office, Indian Institute of Technology Kharagpur	The administrative and infrastructural headquarters of the project	Dr. B. Sutradhar bsutra@ndl.gov.in
4	Project PI / Joint PI	Principal Investigator and Joint Principal Investigators of the project	Dr. B. Sutradhar bsutra@ndl.gov.in Prof. Saswat Chakrabarti will be added soon
5	Website/Portal (Helpdesk)	Queries regarding NDLI and its services	support@ndl.gov.in
6	Contents and Copyright Issues	Queries related to content curation and copyright issues	content@ndl.gov.in
7	National Digital Library of India Club (NDLI Club)	Queries related to NDLI Club formation, support, user awareness program, seminar/symposium, collaboration, social media, promotion, and outreach	clubsupport@ndl.gov.in
8	Digital Preservation Centre (DPC)	Assistance with digitizing and archiving copyright-free printed books	dpc@ndl.gov.in
9	IDR Setup or Support	Queries related to establishment and support of Institutional Digital Repository (IDR) and IDR workshops	idr@ndl.gov.in

Global Issues, Marketing In Europe Legal Considerations

Cultural relevance: hip-hop music as a bridge to the digital divide

E-business models in the online music sector - a survey of 10 European countries

No more shadow boxing with online music piracy: strategic business models to enhance revenues

Identification of critical eWOM dimensions for music albums

Doing business on the Net

Co-Occurrence Models in Music Genre Classification

Getting copyright right

The Use of Incentive Mechanisms in Multi-Channel Mobile Music Distribution

Radio, concerts and the future of music distribution

Similar Documents

Global Issues, Marketing In Europe Legal Considerations

Cultural relevance: hip-hop music as a bridge to the digital divide

E-business models in the online music sector - a survey of 10 European countries

No more shadow boxing with online music piracy: strategic business models to enhance revenues

Identification of critical eWOM dimensions for music albums

Doing business on the Net

Co-Occurrence Models in Music Genre Classification

Getting copyright right

The Use of Incentive Mechanisms in Multi-Channel Mobile Music Distribution

Radio, concerts and the future of music distribution